Ebook Practical Principles of Cytopathology RevisedBy Richard M. DeMay

Ebook Practical Principles of Cytopathology RevisedBy Richard M. DeMay

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Practical Principles of Cytopathology RevisedBy Richard M. DeMay

Ebook Practical Principles of Cytopathology RevisedBy Richard M. DeMay

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In 1999, Dr. Richard DeMay decided to buck the trend of large print references with this portable, practical reference. Since then, 'Practical Principals of Cytopathology' has served surgical pathologists as a ready reference easily carried to a colleague's office.

The newly updated version continues to provide encyclopedic coverage of material that the diagnostician needs to have at hand and brings the comprehensive coverage completely up to date. With extensive changes in understanding and nomenclature for many diseases in recent years, this new edition is critical and timely. Every chapter has been completely updated to provide the latest information on scientific advances. In particular, chapters on lymphoma and gastrointestinal stromal tumors have been revamped to incorporate the latest intelligence in these areas.

Because it is now the most commonplace method for performing Pap testing, a completely new chapter has been added on liquid- based Pap testing, complete with scores of new quality images to support the information.

• Sales Rank: #595761 in Books
• Published on: 2007-10-09
• Dimensions: 10.50" h x 1.40" w x 7.50" l, 3.47 pounds
• Binding: Hardcover
• 420 pages

Review
This is must have text for any laboratory that performs cytology, especially for those general pathologists who may only do non-gynecologic cytology. My residents and fellows have all greeted this text with great enthusiasm. In photo quality, completeness, timeliness, ease of layout, and compactness this book far surpasses of anything else on the market. Kudos to another quality product of the ASCP Press and Dr. DeMay. --Larry Fowler, MD -- Doody's Review Service ©

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Download PDF Hieroglyphs Without Mystery: An Introduction to Ancient Egyptian WritingBy Karl-Theodor Zauzich

Download PDF Hieroglyphs Without Mystery: An Introduction to Ancient Egyptian WritingBy Karl-Theodor Zauzich

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Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing.

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Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.

• Sales Rank: #1304408 in Books
• Published on: 1992-11
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.75" w x .75" l,
• Binding: Hardcover
• 121 pages

About the Author
Karl-Theodor Zanzich is a professor at the Institute for Egyptology of the University of Wurzburg.

Translator Ann Macy Roth holds a Ph.D. in Egyptology from the University of Chicago.

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Free PDF Origins of the Chinese Avant-Garde: The Modern Woodcut MovementBy Xiaobing Tang

Free PDF Origins of the Chinese Avant-Garde: The Modern Woodcut MovementBy Xiaobing Tang

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Origins of the Chinese Avant-Garde: The Modern Woodcut MovementBy Xiaobing Tang

Free PDF Origins of the Chinese Avant-Garde: The Modern Woodcut MovementBy Xiaobing Tang

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In Origins of the Chinese Avant-Garde, Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study—also the first comprehensive account of this Chinese movement available in English—Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration—from German Expressionism, Soviet wood engravings, and Japanese creative prints.

• Sales Rank: #1646136 in Books
• Published on: 2007-11-20
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .88" w x 7.00" l, 2.20 pounds
• Binding: Hardcover
• 318 pages

From the Inside Flap
Xiaobing Tang's Origins of the Chinese Avant-Garde is much more than its title implies, for it is both a vivid account of the conflict between Chinese artistic conservatism, freedom of expression, and political commitment in the 1920s and 1930s and a deeply researched study of the origins and development of the woodcut movement. The author ranges widely over the controversial writings of this hectic period, showing how intimately art, literature, criticism, and politics were intertwined, but gives due prominence to such key figures as Cai Yuanpei and Lu Xun. This book will attract many readers for the vigor and lucidity of Tang's style and will become an essential source for anyone concerned with the cultural history of this turbulent era.—Michael Sullivan, author of Modern Chinese Artists: A Biographical Dictionary

Origins of the Chinese Avant-Garde is a genuine masterpiece of scholarship, an impressively documented cultural history of the Republican period. In five substantial chapters written in highly lucid and eloquent prose, Xiaobing Tang reconstructs, in detail, the art world of the Republican era, with all its different styles, organisations, institutions, and individuals, and provides cross-references to contemporaneous events in other fields, especially literature. Presenting the emergence of the woodblock printing movement in the context of other art movements, traditionalist and modernist, this book offers an art history of the period more comprehensive than any other, in Chinese or in English.—Michel Hockx, Professor of Chinese, School of Oriental and African Studies, University of London

"This is one of the first books in English to connect the literature and the fine arts of the early twentieth century. The author follows Lu Xun, one of the leading proponents of the revival of woodblock printmaking in early republican China, as the central thread in a narrative examining the intersections of art education, visual art, literature, and the cinema. Drawing on a wide variety of published materials, Tang successfully puts avant-garde work of the 1930s into a much broader cultural perspective."—Kuiyi Shen, author of A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China

About the Author
Xiaobing Tang is Professor of Chinese at the University of Southern California. He is the author of Chinese Modern: The Heroic and the Quotidian (2000) and Global Space and the National Discourse of Modernity: The Historical Thinking of Liang Qichao (1996).

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